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But the good news is if the window isn’t in a critical area like this, then it’s usually fine to just skip that location and install the panels elsewhere.
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If the window is in a critical treatment area, like a reflection point or near a corner for bass trapping, then it complicates things and limits options. Often the location prevents mounting a sound absorption panel. Where a window is situated in the room presents the biggest challenge. But the overall tonal differences between these materials aren’t as great as most people believe. Window glass is probably smoother so it might be more reflective at ultra-high frequencies, whereas wood & drywall probably have a bit more absorption to them (though still a very tiny amount of absorption compared to an acoustic panel). The truth is a good quality window that’s been properly installed probably doesn’t affect soundwaves much differently than other wall surfaces like drywall, wood, bricks, or concrete. Surfaces in a room reflect most sound that hits them, and the differences are surprisingly subtle. So we need to plan around them carefully, when trying to optimize sound and acoustics ins ide a room. It’s an important question, since a window is a static part of the room and can’t be relocated like a piece of furniture. This is one of the most common questions we get. Windows & Room Acoustics: Problems & Strategies What do I do about my windows? I know windows are horrible for room acoustics. GIK Acoustics Introduces Limited Edition Tape Op Art Panels.Abbey Road Institute Partners with GIK Acoustics.Summer Giveaway 2021: Vote for your Favorite!.
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